Prof. Yusuf Grillo is dead, he died early Monday morning at the age of 87years after a brief illness.
Yusuf Adebayo Cameron Grillo, YC has was fondly called, was born 1934 and died Monday 23rd August 2021 (87years), will be buried today according to Islamic rite. He is survived by children and grandchildren.
A contemporary Nigerian artist known for his inventive works and the prominence of the color blue in many of his paintings.
Grillo is considered one of Nigeria’s outstanding and academically trained painters; he emerged to prominence and international recognition in the 1960s and 1970s, while exhibiting a large collection of his early works. He makes use of his western art training in many of his paintings, combining western art techniques with traditional Yoruba sculpture characteristics. His preference for color blue in natural settings paintings, is sometimes similar to the adire or resist-dye textiles used in Nigeria. He is a former Head of the Department of Art and Printing at Yaba College of Technology
Until he passed on, one of the most accomplished and respected living Nigerian artists, Yusuf Grillo’s career spans a remarkable six decades. His characteristic colour palette, cool blues and purples, and the geometric fragmentation of his compositions are instantly recognisable.
Grillo began his artistic journey at the Nigerian College of Arts, Science and Technology in Zaria in 1955. Support for Nigerian independence was growing in strength during this period and inspired the young Grillo to formulate an aesthetic that both communicated and celebrated a distinctly Nigerian identity. He and a group of fellow students founded the Zaria Art Society, a group that opposed the hegemony of European art traditions in Nigeria’s educational institutions.
Grillo has said that there are two attributes that underpin his aesthetic: “originality and sincerity”. Raised in the Brazilian quarter of Lagos, Grillo has a strong identification with cosmopolitan Yoruba culture. His art demonstrates a sincere appreciation for this heritage.
In this portrait, we see two young Yoruba women, Ayi and Tayi. They are wearing traditional gele. Their figures are composed from overlapping, angular geometric planes. This fragmentation is reminiscent of the work of European avant garde modernists like Picasso or Braque, but it also echoes the ancient tradition of Yoruba sculpture. The very carvings that so inspired Picasso and his peers.
Grillo explained the importance of Yoruba culture on his aesthetics in an interview in 1998:
“The very first thing for an artist to do is to know who he or she is. You have to know where you are coming from. You have to know your roots. For example, if you have been born in Benin, you have to know Benin, its traditions and history…in the same vein, if a Yoruba person knows that he is part of cultural artefacts such as masks, the Gelede, the Ibeji statuettes and the Sanogo figurines, he knows what they mean and are used for, he identifies with them and equally embraces them because he is part of them. Therefore, whatever he intends to produce as a genuine and sincere artist will reflect all of these” he averred.
